lt;p>In the photograph titled <em>Doll</em>, a figure in old-fashioned dress appears to float gracefully in a dark, shadowy space. But as soon as the viewer becomes aware of the structure of María Martínez-Cañas’s “Lies” series (2005)—scenes of violent death distorted to near illegibility—the fanciful-seeming image is seen to depict a woman lying dead on a carpet.</p>
Maria Martinez-Cañas, Bunker Series 005 (2013)
María Martínez-Cañas: From The States Program, Solo Show
Artist María Martínez-Caña inspired by diverse identities - The
Maria Martinez-Cañas “Transformative Structures”
File:Maria Martinez-Canas.jpg - Wikimedia Commons
Maria Martinez-Cañas: Documents De Mémoire, Exhibition
Maria Martinez-Canas
In Conversation: María Martínez-Cañas on What Remains
Maria Martinez-Canas: Cronologias 1990-1993
Absence Revealed
María Martínez-Cañas
In the Studio with María Martínez-Cañas, THE ARCHIVE
Maria Martínez-Cañas
